When I first started this website many years ago I didn’t expect one of my most reviews show to be Pippin but this is now the 6th review of Pippin on the website, from other amateur theatre companies through to the concert at Theatre Royal Drury Lane as well as productions at Charing Cross Theatre, Southwark Playhouse and more, which
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It is prom season….or at least it is if you are a Centre Stage audience member. Centre Stage have put together their version of the proms, The Proms Remixed, with a cast of 25 and arguably more importantly for a proms show an orchestra of 31. The show steers clear of large ensemble pieces that one would traditionally find in
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Hedda Gabler is a play by Henrik Ibsen that is much discussed in theatrical circles but up until seeing Sedos’ production I had yet to experience it for myself. Sedos’ production used the Patrick Marber’s version which was first presented in 2016 at the National Theatre, some 125 years after its original performance. The show focuses on Hedda, newly married
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The Nicest Kids In Town have hit the Bridewell stage for Sedos’ production of Hairspray. I am a huge fan of Hairspray having seen several professional and amateur productions of it as well as having directed an amateur production of it myself. I’m always therefore keen to see Hairspray and see what a new cast and creative vision can bring
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When you think of all singing and all dancing shows then 42nd Street is one of the ones that springs to mind. The show tells of Peggy Sawyer who joins the cast of Pretty Lady as a chorus girl whilst it becomes clear that the star of the show, Dorothy Brock is past her prime. On opening night Dorothy is
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Centre Stage recently put on a production of Head Over Heels and in speaking to the director, Stuart James he explained to me the work that had gone into making the production more inclusive and the initiatives he took sounded like something that all amateur companies should be considering so he kindly agreed to share his learnings and thoughts about
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Translating a 16th century literary work for the 21st century, retaining its archaic dialogue style and mixing in chart-topping hits by The Go-Go’s does not at first sight appear to be a promising concept for a hit Broadway show. However its short run in 2018 perhaps says more about the nature of New York audiences and their reaction to the
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Violet is a musical that doesn’t come along often. I last saw this show in 2019 at the Charing Cross Theatre so I was excited to see a new take on it with Sedos. The musical tells of Violet, a disfigured girl who travels from Spruce Pine, North Carolina to Tulsa Oklahoma in order to meet a faith healer. Along
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Sweeney Todd is, in my opinion, up there with Stephen Sondheim’s greatest work and mounting this production is no walk in the park for an amateur production. It tells of ‘The Demon Barber of Fleet Street,’ who has returned to London after being sent away by Judge Turpin. Todd returns to find that his child, Johanna, is now a ward
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When I heard that The Color Purple was going to be part of Sedos’ season I was excited for so many reasons. Firstly this is a show that I had heard so much about but never had the chance to see. Additionally this is a show that requires an all black cast, something that is incredibly rare in amateur theatre
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