War Horse is a beautifully moving story of love and companionship juxtaposed by its haunting and bleak setting set against a background of loyalty and resilience. The story follows the unbreakable bond between a young farm boy, Albert and his beloved horse, Joey. Albert’s journey to reunite with his childhood stallion took you through moments of deep sadness, rage and empathy; all cast upon the inconceivably treacherous back drop of World War 1. 

Tom Sturgess’ portrayal of Albert was outstanding. His ability to create such a beautiful and nuanced relationship with the puppet of Joey was unlike any I had seen on stage before (even human to human). The emotional truth he brings to the stage, coupled with his unwavering commitment to the role, makes Albert’s journey all the more powerful and affecting. 

Alexander Ballinger as Captain Friedrich Muller also gave a notable performance. His vulnerability in a surrounding collage of firm and bestial facades really touched me. 

However, the true marvel of this production lied in its groundbreaking use of life-sized horse puppets. Operated by teams of three puppeteers working in seamless harmony, each horse comes to life with astonishing realism. From the flick of an ear to the snort of breath, every equine gesture is infused with life. Joey is brought to life by the supremely talented Rianna Ash, Chris Milford, and Samuel Parker; Topthorn by Tom Quinn, Michael Jean-Marain, and Michael Larcombe; and foal Joey by Eloise Beaumont-Wood, Clara Lioe, and Jordan Paris. Under the visionary direction of puppetry director Matthew Forbes and design by Adrian Koehler. Never before has a puppet made me, to put it frankly, blubber like a small child, and that is testament to this amazing team. 

The visual design must be mentioned as well. The minimalist set design works in harmony with evocative lighting and haunting projections that sketch the bleak, muddy terrain of the Western Front. Such great design only aids the already incredible story telling, puppetry and acting to make this a very special production. 

Finally, the music is the combining glue of the whole production for me. From the stunning ensemble vocals to the repeated motif of Joey and Alfred’s main theme, the emotional through line of this stunning show is aided by its melody. Sally Swanson gives an amazing performance as The Singer to enhance the already stunning soundtrack of the show. 

Director, Tom Morris and Revival director Katie Henry have created a powerful story on connection, sacrifice, and the human (and animal) capacity for endurance.  than a theatrical event, it’s a visceral experience that lingers long after the final bow. Whether you’re a seasoned theatre-goer or someone new to the stage, War Horse is an unforgettable journey that reminds us of the transformative power of theatre.

Review by Billy Marsden

War Horse is on at New Wimbledon Theatre until 16th August where it then continues its tour. You can find out more and book tickets here.

If you like this review you might also like my review of Rocky Horror Show, A Midsummer Night’s Dream and Hadestown.